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These are the only rooms that had floors paved with stone slabs. The location and appearance of those slabs are as below.

Room 28:

(replace the beaten-earth surface here:)

Room 25 (the room in front of room 30) was fully paved (in red); in room 34, there was a box drain with pavers on either side (in red), but the rest of the floor was earth:

Room 25:

Room 34:

Room 31a, behind room 30, didn't exist in the first phase. The level of the courtyard, which currently dips down to the level of room 30, should be as high as it is elsewhere right up to the walls of room 30 (when room 31a is added in the second phase, its floor continues to be higher than room 30's).

In the current iteration, one has to keep pressing the F button constantly to fly -- the minute you stop, the avatar starts to fall. This problem is corrected if the avatar falls onto a solid surface, like a roof, after which the avatar can fly normally (rise and hover until G is pressed, at which point it drops normally). But if you don't fall onto a roof, since the streets and courtyard are permeable, you just keep falling.

All doors that don't have stone arches would have had to have wooden lintels to hold up the masonry above them. We should add visible wooden lintels over all such doors, as here with the door between room 33 and room 28, and the door between 28 and the street:

and as here with the door of room 30:

And elsewhere as necessary.

Some of the doors are still a little low. In complex 3, we should raise the lintel (and the wall, to the extent possible, without getting above the roofline of 33) of the door between room 28 and the street:

and we should raise the lintel of the door between complex 3 and the courtyard:

The most recent version has surfaces that are permeable, so that when you stand on them you fall through (and keep falling). Presumably this is a settings issue that is easy to change. It's not true of roofs or upper floors.

The chapel still has a flat ceiling, but like the other structures (eg room 33), when you look up you should see the underside of the gabled, tiled roof -- that is, you're looking up at a triangular space, not a flat one.

As for the other doors without arches in the complex, this door needs a wooden lintel. When the roof and walls are raised, this door should not increase much in height -- there should be more wall above it.

I think the chapel was probably a bit taller than we've made it here -- the walls were probably at least as tall as the SW wall of room 28. The roof and the apse should be raised accordingly (the top of the apse half-dome should not be more than 50-75cm below the peak of the gabled roof of the rest of the chapel).

The lintel should be well below the level of the floor above, and the transition from room to courtyard should include a masonry sill (rectangular solid).

The angled support for the balcony stood on a stone in the courtyard, which you can see in the photo below. If possible, add this flat stone as a base for that support in the model.

The walls that divide the courtyard from complex 3, or divide parts of complex 3 from each other, but are not covered by roofs should have some kind of cap -- the easiest type to use would be a single row of tiles pitched in the direction of the courtyard, or a double-row of tiles pitched to either side of the wall. I have also seen half-round caps, but since these buildings don't use lime mortar, tiles are probably the better bet. If these walls weren't capped, a lot of water would have been able to get into them, and they would have been very hard to maintain. I've shown two here as an example, but basically any wall that isn't already covered by a roof should have its own little roof.

I know that I passed on Z coordinates for this floor, but the model looks a lot lower than the original, and I may have been too conservative on coordinates. If possible, raise the floor about 10cm. Each door should also have a stone sill in the form of a rectangular solid (these are visible in the photos I sent).

The slope of the main road needs to be smoothed out (just like the side road). Levels are indicated on the most recent version of the plan with levels that I sent you.

We talked about this, too -- they just seem too close together now that we've extended that floor.

This is the sewage pit we've been discussing. I think it's on the plan. We should put it in; it was about 1 meter deep, below the excavated floor surface.

The tops of these doors should have a segment of wall between the lintel and the roofline, so these need to be lowered. The lintels themselves were probably wooden beams.

You already have a higher ground level near the wall of room 30, from the courtyard, but this should stretch all the way back to the edge of the model at a somewhat higher level (probably just below the lowest part of the roofline of room 30, on the corridor side). In the first phase, this was just a terrace wall; in the second phase, room 31a will be built against it.

The interior of room 29 has a problematic intersection between two planes, so there's a step up in the floor that isn't present in reality. The floor should be one uniform, flat plane. Also, if we have a chance to add features, there was a pithos in this room more or less where I've put it. It was sitting on the floor, not embedded in it, and was supported by a ring of irregular stones. These pithoi are from a meter to a meter and a half high. I can supply some good photos from the Byzantine catalogue we produced with the Preserve, if necessary.

We know that during the first phase of this room, it served as a blacksmith's smithy, and we're pretty sure that a particular hole in the floor held the stump or log that traditional smiths rest their anvils on. When we're done with the rest of the larger-scale revisions to the model, it would be cool to put in a cylinder to serve as the stump and perhaps just a 2D cutout of an anvil. Or a 3D model from the internet: http://www.thingiverse.com/thing:31397.

The chapel needs a roof (two inclined planes to create a pitched roof) and its floor needs to be raised to the level indicated on the plan. It would also be interesting to try to add the two tombs (basically 3d rectangular voids about 1.5 meters deep). The red indicates the level of the road, the green the approximate level of the floor.

It's not marked here, but there should also be a transition between the road level and the step up into the courtyard, which should not be that high (so the transition is probably a slope).

It would be fun to add the graves in the chapel -- their length and width are on the plan, and they were both about 1 meter deep. If we do add them, by creating empty spaces in those areas, we should also add wooden covers, like horizontal doors, that could be opened toward the viewer to reveal a photograph of the depositions (could we size one of these photos to match the size of the floor of one of the graves, and use it as a texture?).

Something has happened to the aspect ratio of this image; it should be rectangular. I would also tend to put the window on the opposite (courtyard) side of the church, closer to where the remains depicted were found. It makes more sense to the viewer if the photo is oriented or at least placed in the model near where it was taken in reality.

The piece of ground in the small alley between these two rooms, under the stairs to the second floor of complex 2, has tilted for some reason, and should be brought back to level.

We know that there were walls that extended north along the lines of the long walls of room 38. We don't have any other information about that building, but in order to model the streetscape, we should wall off that area north of room 38 on both the street and the courtyard side. You could add a simple pitched roof (probably sloped toward the street) so that a user who is flying won't see an empty shell.

The ceiling of room 29 is still flat -- this room, like e.g. 33 and 30, should show the underside of the pitched tile roof, not a flat ceiling (also true of room 35).

I think I marked different levels for the floor of room 35 on the plan with the levels -- the floor is higher on the street side, making a sort of shelf, and lower toward the interior of the block. Originally there seem to have been a couple of pithoi on that shelf. The red line here indicates the approximate profile of the floor.

One way to understand the pit in room 38 during the first phase is to assume that it was meant to house a large pithos, which was removed during the second phase of use. I think we can safely reconstruct this in the first phase (if we get to the second phase, we can just leave the pit open).

I will make a quick diagram of where these pithoi were, and send a pic of the pithoi in the Byzantine hall at the Preserve, which is what they looked like. When we're done with the rest, it would be great to reconstruct a few of these in situ.

The floor of the apse is currently at a different level from the rest of the chapel (probably a hold-over from our manipulation of the courtyard surface. It should be flat and at the same level of the rest of the floor. If we get to add features, there was a cubic stone feature in the apse with a square recess in the center -- we have interpreted it as an altar base with a hollow for a reliquary (you can see the dimensions on the plan). It would be cool to add this.

We'll want to add wooden doors for most of the door openings (ideally, doors that can be opened with a tap or by coming close to them), and shutters for the windows (I will talk to Kostis about whether these should open inward or outward). When we're ready to do this, let me know and I'll sketch out a plan with the position of doors and the direction they should open.

Given the concern for security shown by the locking door that closes off room 30 and the area around it, it seems to me that the walls dividing this area from the courtyard should be raised (right now, a visitor could simply hop over and down into the area of room 30). If that wall is raised, the other walls between the courtyard and complex 3 should also be raised, as -- probably -- should the roof of room 29. Let's try raising the wall between complex 2 and the main court 1 to 1.5 meters, and adjusting the room of room 29 accordingly; with that done, let's see what happens to the wall separating complex 3 from the main courtyard. I think that should be raised anyway, since the door between the main court and room 32 has always seemed a little low. Adjustments will probably also need to be made to the wall between room 28 and the chapel, and between room 28 and the street.

There's a visible offset between the upper part of the wall and roof of the back of room 30, and the lower part of the wall. This should be a smooth surface.

We know that there were two pithoi in room 35 at the time of its destruction. The bedrock platform on the east side of the room had two shallow circular depressions cut into it; these were probably meant to hold the bases of two smallish pithoi. If we get to the stage of adding features, it would be nice to include these.

Room 30 definitely had a pitched roof, because it was tiled, and the likely direction of the slope is into the corridor between complex 2 and complex 3.

The platform of bedrock along the southwest wall of room 28 actually had a basin cut into it, probably to hold water the blacksmith could use to temper iron. Can we add this recess? It can either be oval or square, and should just be a depressed area about 20-25cm deep.

I don't want to keep asking for new components to the model, but I think it would make it look a lot better and more complete if you could add a shell for the long, barn-like building along the west side of the courtyard (that is, complex 1, excavated by Paul Arthur and his team). It doesn't have to have any interior modeling, and it's not even necessary to make it possible to enter the building -- it would just be a dummy, like the shell you built to the north of room 38. I've sketched out a possible solution below -- a flat or arched door, positioned according to the state plan in the folder you have a link to on Box (https://utexas.box.com/s/s0lwh1l1qtmvujh15r3k96fnbk3bpnq6), a flat or arched window in the facade above (both closed with wooden doors/shutters, not openable), and then a gabled roof.

If you don't have the time to do this, that's ok too -- I just think it would give the model a more finished appearance.

Currently the roofs are triangular solids, so the ceilings are flat even when roofs are sloped. The roofs should instead be flat inclined planes on the inside as well. There were probably not any trusses, which you reconstructed in the upper floor of room 38 -- so remove these, and just build the ceilings with beams and rafters.

It's likely, from the photos that I looked at of Turkish vernacular architecture, that this balcony also had a tiled roof. If that's the case, it should have a fourth support post running up from the top of the wall of room 29 to the north edge of its roof.

We've already discussed this, but there should probably be a wooden step inside the door to room 38, so that one doesn't have to jump down from the street.

The courtyard should end to the north in a blank wall, midway along room 30 on the other side of the dividing wall. Right now there's a sort of ledge or step (in red, below); this should be pushed back or removed to leave a single flat wall.

I add an "Information" button and a C# script which is handling GUI interaction for the Room 36.
You can click the button and then the GUI will "ShowUp". Or you can press "i" key on the keyboard.
All the GUI elements are customizable. It contains of Text Header, Text Body, Text Footer, Background color and an Image Objects. If you can write small description about Room 36. I will add it. If you have any header and footer with ICA logo, please send me. I'm open for any changes, just let me know.

The opening between these two rooms had a door (the lock was found), which suggests that it would have had a proper door frame, including a stretch of wall above a wooden lintel. Let's add these.

When you stand inside room 33 and look at the street door, the area above the door is transparent.

Find textures for walls, door-frames, wood, etc. (Andrii, if you could show me the size of a tile in a screen-shot of one of the buildings, this will help me figure out what photos to use).

This info window works better when you can look at the anvil itself, so the window should be on the other side of this wall, inside the room, to the right of the anvil as you face that wall.

The surface of the main courtyard -- at least when you look at it against the wall of the chapel -- seems to be rising to the center and then sloping down again, but should be roughly level according to the Z-coordinates we have for it, which should be respected -- it's ok if it tilts down to one side or the other, but it shouldn't rise in the center.

The roofs of rooms 35 and 29 need to have tiles and wooden rafters, like all the other roofs in the complex.

This pit was an irregular flattened oval, with its long axis parallel to the wall. It was 1 to 1.5 meters deep, too. It should also be on one of the plans you have, for accurate dimensions.

Add door where gap appears on plan for phase 1.